Pressure Point brings Burmese architectural and sonic traditions into a gallery space, where electronically activated bells echo the sound of pagoda chimes moved by wind. Installed along the gallery’s columns, the work transforms the architecture into an active part of the installation. Repetitive clay forms, made through quiet, meditative gestures, reflect a process of grounding and presence. A central sculptural form inspired by the Mrauk U pagoda suggests a connection to origin, creating a space that considers belonging through sound, form, and attention.